| Carved Mare-and-Colt Chaise, Part 2 |
From "Woodsculpting" episode DWDS-103 |
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 Montana-based woodsculptor Amber Jean draws inspiration from the American West.
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 The finished chaise lounge.
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In this episode of DIY's Woodsculpting Workshop, we meet woodsculptor Amber Jean as she creates a relief carving depicting a mare and colt. In this segment, she moves from hand-carving with chisels to power tools for grinding and smoothing surfaces.Materials used in this episode: Chisels Hand-held router Pneumatic tools and attachments (grinders, etc.) Air compressor Sharpening stone Drawing paper Carbon paper Pens Dust mask Goggles or protective glasses Gloves
Mare and Colt Carving, Part 2- Using a large-capacity air compressor and pneumatic power tools, such as a rotary grinder, Amber Jean is able to remove a lot of wood quickly (figures A and B). Power tools are ideal, once the basic wood shapes have been established, for removing large amounts of wood in a short amount of time. Tools like these in the hands of a skilled artist can allow the forms to emerge quickly.
For some of the detail work, Amber continues using finer power tools such as small pneumatic grinders (figure C).For example, she uses the corner of the cylindrical grinder-tip to rough out the lines within the form of the hair and mane (figure D).Tip: Rather than waste time changing grinder tips on a single pneumatic tool, Amber simply keeps several tools (or tool heads) on hand, each with a different size or type of tip installed. Since the entire tool -- tip and all-- can be attached or detached with a quick-release mechanism, she can quickly switch from one to another as she works.
After the general shapes have been created (figure E), Amber switches back to chisel workShe does nearly all of her hand work using only six chisels. The chisels that she uses (figure F) are made with high-quality steel so that blades hold their edge for a long time. Their hexagonal shape of the handles keeps them from rolling when set down.
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 Amber Jean recommends the use of a water-wheel for sharpening chisels.
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 Pneumatic tools are used for creating the basic shapes and forms of the large carving.
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Chisel-Sharpening Tips: After spending years as a woodcarver, and trying various techniques for sharpening chisels, Amber Jean now opts to use a water-stone sharpening wheel. Used properly, this device results in sharp and durable chisel edges -- the most important element of a woodcarver's arsenal.
- The water and slow speed of the wheel sharpens the chisel without heating the metal.
- An adjustable bar is used to rest the chisel shaft to keep the blade at a constant angle while you are sharpening.
- For a curved blade, rock the chisel slowly back and forth as you sharpen for a uniform edge over the entire curve.
- Check the edge periodically as you sharpen to monitory your progress.
- Once the chisel is sharp, a honing wheel -- with a hard-rubber surface -- is used to remove any burrs from the edge. This wheel takes the place of the leather strop used commonly in hand-sharpening blades.
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Amber Jean spent more than six weeks carefully crafting the forms and details of the carving (figures G and H) before shipping it to her collaborator in Seattle, Washington for the completion of the chaise lounge.
Ultimately, the carving was integrated into the piece of furniture designed by Ernie Apodaca. The finished piece was then entered in the Western Design Conference show in Cody, Wyoming. Both Amber and Ernie are former award-winners from earlier shows. Each artist worked independently on their portions of the piece, so that each had full creative freedom as they worked. Finally, the product of both artists' processes were integrated into a single piece (figures I and J). More than 95 original pieces were on exhibit at the conference, each specifically created for this show. The categories for medium include wood, metal, textiles and leather. Though the piece did not garner an award in this show, both artists felt rewarded by the creative experience and sense of adventure from a first-time artistic collaboration.
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 An 11th-hour detail: Amber Jean added this carving to the arm of the chaise lounge.
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Amber Jean on Creativity and Intent"The creative process is, to me, an adventure," says Amber Jean. "You don't really know what's going to be around the next corner. You just strike out no matter what. Sometimes I have this general idea or feeling -- something that I want to convey -- and I can work towards that feeling, but other things will happen. I'll take off a layer of wood and discover something that I wasn't expecting. And that discovery will lead to a new route."
RESOURCES :
Fox Chapel Publishing Co.
Publishers of Woodcarving Illustrated magazine and numerous books on woodcarving.
1970 Broad Street
East Petersburg, PA 17520
Websites:
www.foxchapelpublishing.com
Fox Chapel Publishing, featured authors
Special DIY page at www.woodcarvingillustrated.com
Woodcarving Illustrated magazine
Website: www.woodcarvingillustrated.com
Cabin Fever
(featuring the works of woodsculptor Amber Jean)
Simon & Schuster (1998)
Author: Rachel Carley
ISBN: 0684844222
To order this book from Amazon.com, click here.
Cowboy Chic: Western Style Comes Home
(featuring the works of woodsculptor Amber Jean)
Author: Chase Reynolds Ewald
Gibbs Smith Publishers (2000)
ISBN: 0879059621
To order this book from Amazon.com, click here.
GUESTS :
Amber Jean, wood sculptor
Livingston, Montana
Amber Jean bio
www.amberjean.com
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