HOBBIES Index
Beading
Bird Watching
Cigars
Collections
Folk Dancing
Hunting
Indoor Sports
Magic
Musical Instruments
Outdoor Sports & Activities
Photography
Cameras & Equipment
Digital Photography
Techniques
Other

Puppetry
Radio-Control Models
Robotics
Travel
Wine

BEST OF HOBBIES
Boat Race
Radio Control Hobbies

SPONSOR LINKS

  • Photography Tips from Professional Photographer Austin Anderson
  • Photography Tips from Professional Photographer Austin Anderson
    From "Making Home Movies"
    episode DMHM-102


    For this video the Panthers are set to wrap up their season, and Austin Anderson is on hand to document their success. The steps he will take for this shoot include the following:
    advertisement


    PHOTO

    On-camera team introductions: tight shot.
    PHOTO

    Before-game close-up: coach blowing whistle.
    PHOTO

    Example of boring straight-ahead wide shot.
    PHOTO

    Example of more engaging corner wide shot.
    PHOTO

    Going from medium wide to slight zoom.
    PHOTO

    Tight shot of parents with handheld camera.
    PHOTO

    Example of over-the-shoulder shot.
    (*Note: The first five images on this page were shot using a fluid-head tripod; the last two shots were made with a handheld camera).

    • Before going into the field, think about the story and the types of shots you want for the video. Also, think about who's going to be watching the video. For a family video, you can focus mainly on your family. If it's for a team video, you will want to focus on and feature different people in the video.

    • Get to the field early and set up your camera on the tripod. This gives you the opportunity to set up some of the action shots you know you'll need, such as tight shots of the ball being kicked or of cheering parents. Tight shots are important as cutaway shots from the action.

    • Once the camera is set up, move the camera bag away from the field to a safe location along the sidelines. This protects both the camera equipment and the players.

    • Hit RECORD and let the tape roll for about 30 seconds to make sure everything is functioning properly. This is also a good time to check your audio. Bad audio can result in an unwatchable movie.

    • Gather the team and collect the on-camera introductions.

    • Shoot the close-ups of the ball going into the net, the coach with the players, the referee blowing the whistle and other simple tight shots that can be used during the editing process. Get plenty of tight shots during this time because there won't be time once the game begins.

    • When the game begins, move around the location, capturing different angles of the field. If you stay in the middle of the field during sporting events, you have to do a lot of swish panning to stay on top of the action. If you move back to the end zone, you can follow the ball more easily and have steadier shots.

    • Set up in the corners of the field, instead of the middle, to shoot more engaging wide shots.

    • Let the action come to you rather than trying to follow it around the field. When the action approaches your position, set the shots medium wide and record without trying to zoom in on the action. Aim for nicely composed shots with little camera movement.

    • In the case of trying to get individual shots of the players, it always helps to stay medium wide, then if one of them starts to take off and run with the ball, zoom in a little more to follow the action.

    • At the beginning of the second half, Anderson moves back to midfield since he's collected all the shots needed at the spot near the goal. He removes the camera from the tripod so he can introduce some movement and boost the energy level of the video.

    • He circles the coach and two players to get over-the-shoulder shots.

    • He also shoots tight shots of the parents, with the camera close to their faces to gather good audio with the camera's built-in microphone. These varied camera-angle shots will be used as cutaways during the editing process to help draw the audience into the action.


    RESOURCES :

    IMAC Computer
    POWERBOOK laptop computer
    IMOVIE editing software
    Apple Computer Inc.
    Website: apple.com

    Tripods
    3433 Fluid Head
    755B MDVE Video Tripod
    522A Sony LANC Remote
    700RC2,756BK MDVE Tripod w/head
    714B Digi Tripod
    Bogen Photo Corp.
    Website: www.bogenimaging.us

    Canon Digital Camcorders
    Canon USA Inc.
    Website: usa.canon.com
    canondv.com

    Video cameras
    PD-150 camera and accessories
    Vaio laptop
    Flatscreen TV
    Mini DV tapes
    Sony Electronics Inc.
    Website: www.sony.com

    Media 100 editing software
    Media 100 Inc.
    Website: www.media100.com

    Electronic equipment
    Precision Camera
    Website: precision-camera.com

  • ALSO IN THIS EPISODE: