| Gruhn Guitars: Fiddle Setup |
| Instrument repair tech Bill Baldock shows the steps in a basic setup for a vintage fiddle. |
From "Handmade Music" episode DHMM-306 |
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 Violin repair specialist Bill Baldock puts a newly set-up fiddle to the test.
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At Nashville's Gruhn Guitars, the name notwithstanding, it's not just guitars that come through the doors for repair, restoration or trade. In fact, you'll find all manner of stringed instruments at Gruhn's--mandolins, dobros, banjos, fiddles and more--alongside a myriad of guitars, both acoustic and electric. Fiddles are a specialty of repair technician Bill Baldock. When a promising fiddle prospect arrives at the Gruhn shop, it's Bill who gets the call. The one that arrived today is indeed promising, and probably will require nothing more than a "set-up" job.
Materials:chisel bridge blank templates chisel files plane tapered reamer knife
Fiddle Set-UpThe standard set-up for a violin in this condition includes a new bridge, sound post, reaming of the peg-holes and reshaping of the pegs to ensure they work properly and smoothly. - Any good set-up requires a new bridge. Starting with a stock blank bridge (figure A), Bill Baldock trims the feet of the bridge with a chisel to match the contour of the fiddle's top.
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 Figure B
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 Figure C
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 Figure D
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Once the feet are trimmed Bill can set the height based on a standard template. First he marks it and next he cuts away the excess usinga belt file. The bridge is placed in a fixture to that the width can be set using a hand plane. Again with a template, the string slots are etched into the upper portion of the bridge. The pegs are cleaned up and prepped by running a tapered reamer through each of the four holes (figure B). With all four peg holes shaped, Bill moves on to the sound post. Using standard sound post stock, purchased from a luthier supply company, Bill uses a knife to cut a length of post material to match the distance between the violin's front and back plates. Placement of the post is critical and exact. Bill carefully inserts it through one of the f-holes (figure C). The set up is complete when the strings are added with the newly customized bridge in place (figure D).
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 The microphone at center state at Nashville's historic Ryman Auditorium, a living shrine to country and traditional American music.
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 The Ryman is just up the street from Gruhn Guitars.
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This fiddle will soon be in the hands of one of Gruhn's customers.
RESOURCES :
Gruhn Guitars
Nashville, Tennessee
www.gruhn.com
GUESTS :
George Gruhn
Proprietor, Gruhn Guitars
Nashville, Tenn.
www.gruhn.com
Andy Jellison, Vintage Instrument Repair Specialist
Gruhn Guitars
Nashville, Tenn.
www.gruhn.com
Bill Baldock, Vintage Instrument Repair Specialist
Gruhn Guitars
Nashville, Tenn.
www.gruhn.com
| RELATED PROJECTS: | | 1923 Gibson Snakehead Mandolin: Basic Set-Up and Wood-Replacement Repair | | Handmade Violin, Part 1: Blocks and Shaping Form | | Handmade Violin, Part 2: Bending the C-Ribs | | Handmade Violin, Part 3: Completing the Rib Structure | | Handmade Violin, Part 4: Rib Linings | | Handmade Violin, Part 5: Forming the Plates | | Handmade Violin, Part 6: Shaping the Plates | | Handmade Violin, Part 7: Purfling and Completing the Plates | | Handmade Violin, Part 8: Interior Linings and Blocks | | Handmade Violin, Part 9: Gluing the Top Plate | | Handmade Violin, Part 10: Carving the Neck | | Handmade Violin, Part 11: Mortise and Assembly | | Handmade Violin, Part 12: Varnishing and Polishing | | Handmade Violin, Part 13: Finis |
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