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  • PMC Silverware Rings (Pt. 2 -- Finishing Touches) by Sherri Haab
  • From "Jewelry Making"
    episode DJMK-504


    In this second segment guest jewelry designer Sherri Haab applies the finishing touches on her PMC Silverware Rings.

    Experience Level: Intermediate

    advertisement


    PHOTO

    Guest jewelry designer Sherri Haab shows you how to add a stone to your Precious Clay Metal band ring.

    Materials --

    Paper ring pattern-prepared on copier
    PMC3® silver metal clay
    Non-stick paper
    Clear tape
    Water in spray bottle
    Olive oil

    Tools --

    Craft knife
    Ring mandrel
    Plastic roller
    Mat strips
    Mat cutting blade
    Paintbrush
    Prepared clay slip
    File
    Sanding papers
    Kiln shelf or firebrick
    Butane torch with fuel
    Patterned silverware (butter knife)
    Brass brush
    Mallet

    PMC Silverware Rings (Pt. 2)

    1. Fire the ring with a small butane torch or in the kiln following manufacturer's instructions.

    2. To fire it with a butane torch, place the ring on a firebrick (figure A) -- which is a heatproof surface.

    Safety Tip: Anytime you are using a butane torch, you need to wear protective goggles.

    3. Turn the torch on and as soon as you have a flame, place it over the ring. Hold the torch approximately an inch from the ring and move it around the ring in a circular motion, keeping the heat nice and even. As you start to fire, you will notice a little flame will pop out (figure B). That is the binder firing away from the metal clay, and it will go away in a few minutes. As soon as you see it start to glow an orange-red color, keep it moving for two minutes. Make sure that the ring doesn't start to shimmer or turn silvery looking. That means that you need to pull back a little because you can melt the ring.
    Photo

    Figure A

    Photo

    Figure B



    4. As soon as it is fired, do not touch it and allow it to cool down. After it is cooled down, it will look white (figure C).

    5. To bring up the silver, you need to burnish the ring. To do that, you brush the piece vigorously with a brass brush (figure D).
    Photo

    Figure C

    Photo

    Figure D


    PHOTO

    Figure E
    PHOTO

    Figure F
    PHOTO

    Figure G

    6. To burnish the inside of the ring, use a polishing paper (figure E). After it is polished, rub with a burnishing tool (or silver spoon, knitting needle, etc.) to give it extra sparkle and to bring out the design. When it is finished, you have a pure silver ring!

    7. To add a stone to the ring, roll a small ball of metal clay and press the stone right in the center (figure F). Press it so that it is a little deeper than the surface of the clay -- the clay will shrink.

    Note: It does not hurt cubic zirconium to heat it -- it is a strong material.

    8. Use a little slip to attach the stone to the ring before it has been burnished (figure G). Let it dry completely and then it is ready to fire.

    Tip: Attach the stone onto the ring at the seam. If there are little cracks, you can use a brush and water to smooth them out.

    9. Cubic zirconium stones are sturdy and can be torch fired, but for more sensitive stones, you can use a kiln. Once it has been fired in the kiln, it will come out white and ready for burnishing.


    RESOURCES :

    Metal Clay Products and Supplies:
    PMC3® Silver Metal Clay
    Ring Mandrel
    Sanding papers
    Brass Brush
    Torch or Kiln
    All available from Rio Grande
    Toll-free: 800-545-6566
    Website: www.riogrande.com

    Non-Stick Craft Sheets
    Available online from Suze Weinbert or Ranger:
    Websites: www.schmoozewithsuze.com OR www.rangerink.com

    The Art of Metal Clay
    0823003671
    Sherri Haab
    February 2004
    To order this title from Amazon, click here.
    Watson-Guptill Publications


    GUESTS :

    Sherri Haab
    Sherri Haab Designs
    Phone: 801-489-3885
    E-mail: sherrihaab.com
    Website: www.sherrihaab.com

  • ALSO IN THIS EPISODE: